Coming August 2, 2016 |
The only rule that I'm aware of as a writer is that stories
need to build. How a writer creates that build, whether he or she succeeds or
fails, is up to them. But the more dramatic, the more thrilling, the more
insane the escalation of your hero's revelations and plight -- the better the
story. Without increasing tension a story spins off the rails and dies without
a single witness.
So here's the story problem that had to be solved while
writing THE LOVE KILLINGS. As we spoke about in an earlier post, THE LOVE
KILLINGS isn't a second novel in the Detective Matt Jones series as much as it's
an actual continuation of the first novel, CITY OF ECHOES. The two novels are,
ideally but not necessarily, meant to be read back to back. So if a story has
to build, how do you get more intense than the serial killer in CITY OF ECHOES?
What crime could possibly be worse than a killer infatuated with the Glasgow
smile or the Chelsea grin?
One of the most compelling aspects of writing crime fiction
is that we're working in a genre. Within the genre are different wings,
thrillers in my case, detective stories in another, and crime stories in the
last. But even more fascinating is the fact that the genre comes with a
history; a past, a present, and a future.
What makes a serial killer a serial killer?
Anthony Perkins as Norman Bates in PSYCHO |
In Alfred Hitchcock's Psycho
we have a serial killer like Norman Bates, but we also have Norman's mother (or
should we say her corpse?). In Thomas Harris's Red Dragon the concept takes a step forward. We have Francis
Dolarhyde, but we also have the horrific memories he can't shake of his sexually
abusive grandmother. Oh, and let's not forget her teeth in a glass of water that
Francis keeps in the bathroom!
Ralph Fiennes as Francis Dolarhyde in RED DRAGON |
Norman Bates is a psychotic killing machine. Francis
Dolarhyde is equally psychotic, but knows the difference between right and
wrong, and can't help himself. So if we took Red Dragon a step forward, what would it look like?
There have been so many mass killings in the news over the
past few years. So many real life fiends spilling so much blood in an elementary
school like Sandy Hook in Newtown, Connecticut, a church in Charleston, South
Carolina, and now, a nightclub in Orlando, Florida. While
the mass killings in Newtown and Charleston are not directly related to my new
novel, they are part of the world of
the story. Both the crimes and the young men who committed them are referred to
in detail. And their impact on Matt Jones is haunting as he investigates a series
of horrific murders in Philadelphia and wrestles with a key question that surfaced
more than once in CITY OF ECHOES, and will be brought home in THE LOVE
KILLINGS.
How could anyone, no matter what their psychological issues
in life, be brought to a place so dark that killing anyone or anything made
sense?
I can see my readers
shaking their heads because they know I'll try to come up with an answer, and while
it will be thrilling, it might be a bit
scary, too. Here's a hint: Think RED DRAGON meets TRUE ROMANCE.
Sleep loose,
Robert
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